备注：已完结
类型：欧美动漫
主演：Tracy Grandstaff Wendy Hoopes Juliá
导演：Karen Disher Guy Moore Tony Kluck
语言：英语
年代：未知
简介： 『Daria，跩妹黛薇兒』是繼1993年『Beavis & Butt-head癟四與大頭蛋』之後MTV力捧的另一部以年輕女孩為主角的卡通動畫影集，1997年3月於美國MTV全球首播，不到一年時間Daria聲名大噪，成為全紐約最跩的女高中生。 Daria這位聰明伶俐的年輕女孩，具有相當獨特的人格特質，有趣、善反諷的幽默哲學，她的機智反應總是讓人出乎意料，出言不遜的勇氣亦讓人佩服，她是正義使者的化身，更是同學們心中的女英雄。 之後Daria的霸氣更遠播至歐洲各國，今年的盛夏，亞洲區的觀眾朋友終於有機會能ㄧ賭她的風采，『Daria跩妹黛薇兒』即將於台灣、香港、新加坡等亞洲區的MTV音樂電視頻道同步嗆聲登場。
备注：已完结
类型：欧美动漫
主演：Paul Ainsley Alan Altshuld Nicholas
导演：罗恩·默克
语言：英语
年代：未知
简介： 马可波罗（约翰·马修斯 John Matthews 配音）是一位著名的旅行家，在完成了对于神秘古国香都的拜访自后，马可波罗准备打道回府。临行前，可汗（迈克尔·卡斯洛夫 Michael Kostroff 配音）将珍贵的金币赠送给马可波罗彰显两国友谊，却没想到，野心勃勃的大臣福林（Anthony Mozdy 配音）盗走了金币，下落不明。 一晃眼数十年过去，马可波罗的后代小马可（尼古拉斯·冈萨雷斯 Nicholas Gonzalez 配音）带着拥有穿越时空之能力的半块金币再度回到了香都，想要解开围绕着金币产生的谜团，与此同时，福林亦再度现身。小马可和朋友们能否打败福林夺回金币，并且拯救身陷险境的公主殿下呢？
备注：已完结
类型：欧美剧
主演：约翰·汉纳 苏兰·琼斯 Julian Rhind-Tutt 黛西·博蒙
导演：吉姆·奥汉龙
语言：英语
年代：未知
简介： 由John Hannah和Suranne Jones出演的喜剧片《A Touch of Cloth》将恶搞过去十年间英国出品的最精彩和最烂的罪案剧。该剧剧本基于Boris Starling的一个故事改编，剧本创作团队包括Charlie Brooker (代表作：Dead Set) 和 Daniel Maier (代表作：Harry Hill’s TV Burp), 以及 Ben Caudell, Peter Holmes, Jason Hazeley 和 Joel Morris 总督察 Jack Cloth 由John Hannah饰演。这位总督察是一个特立独行的人，酗酒，孤僻，自从他妻子离奇死亡之后就一心沉浸在工作中。心灵受创的Cloth与Anne Oldman搭档办案。Anne Oldman是一个勇敢，不说废话的探员，由Suranne Jones饰演。
备注：已完结
类型：欧美剧
主演：亚尼克·比森 克雷格·汤姆斯 海琳·乔伊 强尼·哈里斯 乔吉娜·瑞利
导演：Laurie Lynd
语言：英语
年代：未知
简介： Murdoch and Inspector Brackenreid are aboard the SS Keewatin after the owner, Clarence MacFarlane, receives what he believes is a threat. The Keewatin is about to depart from Toronto on its maiden voyage destined for Rochester, N.Y. and Murdoch thinks they should stay on board, especially after he sees that Julia is one of the invited guests. Their presence proves useful after MacFarlane's daughter Amy, who is engaged to her father's chief financial officer Owen Mathers, falls overboard and is nowhere to be found. As Murdoch investigates he finds there is a real threat against the Keewatin and the true facts behind Amy's disappearance.
备注：已完结
类型：欧美剧
主演：亚尼克·比森 克雷格·汤姆斯 海琳·乔伊 强尼·哈里斯 乔吉娜·瑞利
语言：英语
年代：未知
简介： Detective Murdoch finds that the man behind a flying machine that crashes in Toronto is none other than his old nemesis, James Pendrick. He learns that Pendrick is hoping to win a $1 million prize for the first controlled flight. A body is found in the rubble of the crash but someone is clearly out to steal his invention. Murdoch also has to deal with Ottawa-based spymaster Terence Meyers who says it's all a national security matter. Meanwhile, Julia returns from Vienna intent on practicing psychiatry. She's also hoping to have her marriage to D'Arcy annulled.
备注：已完结
类型：泰剧
主演：瓦妮达·特姆散纳波 杰森·杨 塔纳文·提拉珀苏卡恩 坦纳博迪·杰任 淳
语言：其它
年代：未知
简介： 根据泰国著名厨师Seesun，真人真事改编。她不仅一位厨师，更是一位身受爱戴的老师和慈爱的母亲。该剧讲述了一个关于偷窃菜谱，热恋和暗恋的美食童话。完全还原了曼谷在70-90年代的时代背景，文化和音乐，记录了一个来自东北的乡下女佣Meena，为了成为高级酒店的主厨而开始了一段传奇经历。很多年后，Seesun不争气的儿子为了挽回因为自己不忠而想离开的女朋友，将自己母亲的传奇讲给她听，厨神小姐的故事就此流传。每集一个主题，展示各具特色、令人垂涎三尺的泰国特色美食。
备注：已完结
类型：爱情片
主演：弗雷德里克·马奇 伊夫琳·维纳布尔 盖伊·斯坦丁 凯瑟琳·亚历山大 吉
导演：米切尔·莱森
语言：英语
年代：未知
简介： Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake: Death Takes A Holiday (1971)
